| ‘My voice is nowadays known’, Okatch Biggy, Benga and Luo identity in the 1990s TM Mboya Muziki 6 (1), 14-25, 2009 | 13 | 2009 |
| Sex, HIV/AIDS and ‘tribal’politics in the Benga of Okatch Biggy TM Mboya Postcolonial text 5 (3), 2-12, 2009 | 7 | 2009 |
| “‘Music is Sweet When your Praises are Sung’: Pleasure and Power in the ‘Live Band’ Music Performances of Ja–Mnazi Afrika in Eldoret, Kenya.” TM Mboya Matatu: Journal of African Culture and Society 51 (1), 209–223, 2020 | 3 | 2020 |
| Ethnicity and the brokerage of Kenyan popular music: categorizing ‘Riziki’by Ja-Mnazi Afrika TM Mboya Journal of African Cultural Studies 27 (2), 205-215, 2015 | 3 | 2015 |
| The Serious People of “Raha”: The Politics in the Ethnic Stereotyping of the Luo in Okatch Biggy’s Benga TM Mboya na, 2012 | 3 | 2012 |
| A Kenyan intro: identity politics in the performances of a Kenyan popular music band TM Mboya, I Wandolo Getting Heard:[Re] claiming Performance Space in Kenya:(re) claiming …, 2008 | 3 | 2008 |
| Writing her story: the woman and history in Marjorie Oludhe Macgoye's' Coming to birth' TM Mboya Nairobi Journal of Literature, 34-41, 2003 | 3 | 2003 |
| Rapping with a Forked Tongue, Code-switching and the Tribalized Kenya of the end of the Twentieth Century in ‘Otongolo Tyme’by Poxi Presha TM Mboya Eastern African Literary and Cultural Studies 4 (2), 85-104, 2018 | 2 | 2018 |
| " Young man, you keep insisting that this is your thing, and what should your fellow men seduce?": Sex, HIV/AIDS and Tribal Politics in the Benga of Okatch Biggy TM Mboya Postcolonial Text 5 (3), 2009 | 2 | 2009 |
| Articulate incoherence: the'Green leaves' by Grace Ogot as an early expression of Kenyan postcolonial identity TM Mboya Egerton Journal of Humanities, Social Sciences and Education 8, 31-43, 2009 | 2 | 2009 |
| Powerful lies, or history as fiction? a reading of Ebrahim N. Hussein's Kinjeketile TM Mboya Nairobi Journal of Literature, 19-27, 2004 | 2 | 2004 |
| THE KENYAN MWANANCHI AND THE NATIONAL LANGUAGE: KISWAHILI AND “PILI MSWAHILI” BY MORENO BATAMBA ET L’ORCHESTRE MOJA ONE. TM Mboya Swahili Forum, 2023 | | 2023 |
| Guitar Music and Cultural Identity in Kenya: Benga and Luo Identity, c. 1955 to c. 1980. TM Mboya Stichproben (19928610), 2021 | | 2021 |
| OKATCH BIGGY TM MBOYA Wasafiri Issue 104, Winter 2020. Human Rights Cultures: Rwanda, Kenya …, 2020 | | 2020 |
| “I have a story about Nairobi”: narrator unreliability, ethnicity and the imagination of the Kenyan nation in “Khandpaka” by Awillo Mike and Ja-Mnazi Afrika TM Mboya Social Dynamics 45 (3), 395-409, 2019 | | 2019 |
| ‘Men Are Not Taken as Lightly as That’ TM Mboya Egerton Journal of Humanities and Social Sciences 12 (1-203), 2019 | | 2019 |
| I don’t believe anybody will be so unlike other People irony and anxiety about the Nigerian Nation in Chinua Achebe’s is a Private Affair TM Mboya Moi University, 2019 | | 2019 |
| Popular Music, Ethnicity and Politics in the Kenya of the 1990s: Okatch Biggy Live at "The Junction" TM Mboya Cambridge Scholars Publishing, 2019 | | 2019 |
| Categorizing ‘Riziki’ by Ja-Mnazi Afrika: Ethnic Perceptions of Kenyan Popular Music TM Mboya Jahazi 2 (1), 18-23, 2015 | | 2015 |
| Living off the Stony Farm: Address and Diasporic Consciousness in “Shamba la Mawe” by Awilo Mike TM Mboya Eastern African Literary and Cultural Studies 1 (3-4), 167-177, 2014 | | 2014 |
